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Last week I spent a lot of time thinking about thumbnails as a result of the first lesson of my current online course — Watercolour On Location. I rarely use thumbnails in my own work when I am out urban sketching but I often use them when I teach as they are the best way to explain my thought process. I have developed a number of techniques such as starting with the focus and starting with the darks which enable me to work in a way that encourages making decisions on the fly.
But if I was more concerned about producing consistently good results, I would always do thumbnails. I think your attitude towards thumbnails is related to how you define sketching. In the first lesson of Watercolour On Location I explained a number of different thumbnails to explore different aspects of designing a sketch — story, position, important edges, big shapes and values. It was really interesting to hear the various ways in which people struggled with doing a series of thumbnails as a planning stage for their work.
Thumbnails should be small, working drawings focusing on the big picture issues but with enough accuracy to be a useful guide for the main sketch. They either:. Another issue is that doing the thumbnails can take away the time and the energy that people had for the main sketch. I truly believe that being able to do good thumbnails is a specific skill that needs to be developed.
My creative brain is getting a real workout and I know that when the dust settles it will do good things for my own work. If you are doing the course — thank you for making it so special!! The course will not be available until the second half of Hi Liz! I agree with you about the spontaneity of sketching without a thumbnail. However, for a more important piece I definitely plan it out with a thumbnail and notes, colors and medium.
Hoping next year to take your watercolor on location! Hi Liz, Until now before watercolour on location course I had always sketched without a thumbnail. I find myself thinking too much after taking the course because earlier I would just sketch without putting in too much thought and not worry about mistakes.
But your course has surely made me realise the importance of understanding values before going ahead painting with colours! Now I discovered what a big help they are! When I did my first few thumbnails I discovered that I find it hard to identify the important edges, or seeing shapes for that matter. My plan is to definitely develop that skill, I am doing Watercolor on Location and can now see how they can help.
I have been sketching for sometime. So find that I am set in my ways, which is jump in and hope for the best! I did go out sketching yesterday and did three sketches. One I did a thumbnail sketch. I need to remember to refer it more when I paint.
I found myself referring to it after I painted the sketch. I believe they are a great tool. For me it will be a matter of retraining how I work. The latter often feels more static, laboured. I think the preliminary sketch is done in a more relaxed way … and is more spontaneous as a result. Exploring a scene through thumbnails and implementing some of the ideas about selection, values and composition etc is moving me on.
In the WOL class, I learned more about my subject with each type of thumbnail, but was disappointed with my final sketch because it felt static and dull compared to the energy I had for doing my thumbnails. On the other hand, I think the thumbnail exploration process would be great for developing a careful image for a white line woodcut or block print. At the same time I loose interest and almost get bored with the object or I become too fussy. It is either a real sketch with no worries about success or it is just thumbnails in their own right.
What I have come to like a lot in the course WOL are the tonal studies with pens, but they are normally not followed by a watercolour sketch. Notify me when new comments are added. Do you do thumbnails when you are out sketching?
September 13, 7 Comments 32 Share. They either: start drawing without thinking about the important elements edges and shapes and end up spending a lot of time producing a smallish sketch full of details. Can you relate to these issues? If you are a more experienced sketcher — how often do you do thumbnails? When do you decide to do them and how long do they take thumbnail vs the main sketch? September 14, at am. Jo says:. Marianne Camps says:. Carmel Campbell says:. Stephan Aal says:. September 14, at pm.
Cora Brown says:. Franziska says:. September 16, at am. Follow Along with Liz Newsletter Subscribe to receive every blog post by email. You Might Also Like. Pointless Perspective - an overview May 8, 6 Comments What's your favourite sketchbook? December 8, 21 Comments A building I have to sketch again in Hobart May 17, Leave your thoughts
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3-Value Thumbnail Sketch (reposted from ) | Mary Ann Pals - Blog
Last evening I was a guest speaker for the Illiana Artists League. I spoke on the benefits of using a 3-value thumbnail sketch in preparation for doing a painting or drawing.
My talk was well received. So, what is a 3-value thumbnail sketch? Here are two examples showing my reference photos, my thumbnail sketches, and my resulting pastel paintings:.
Why bother doing one? Because with a 3-value thumbnail sketch, one can:. And all of this can be done BEFORE beginning to use expensive art supplies and possibly wasting time and money trying to rework things on the artwork itself.
Thanks for the lovely and useful website and information's on it. I really like people who think differently. Remember Your Info Check this box if you want email updates when people comment on this post. Speaking of Art Blog. Here are two examples showing my reference photos, my thumbnail sketches, and my resulting pastel paintings: Why bother doing one?
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